Beyoncé Knowles - Artistry
Artistry
Music and voice
 | "Trust in Me" "Emotion" ŋnowles' prominent use of melisma and other vocal ornamentation earns her both praise and criticism from critics and fans. |
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Knowles' music is generally contemporary R&B, but she also incorporates pop, funk, hip hop, and soul into her songs. While she almost exclusively releases English songs, Knowles recorded several Spanish songs for Irreemplazable and the re-release of B'Day. Prior to recording these, Knowles was coached phonetically by American record producer Rudy Perez.
Since Destiny's Child, Knowles has artistically been involved in her career. She received co-writing credits for most of the songs recorded by the group, as well as her solo efforts. Known for writing personally driven and female-empowerment themed compositions, Knowles has stated that having Jay-Z in her life has changed a few of her thoughts about how men and women relate to one another, which helped her transition from writing songs such as "Independent Women" and "Survivor" to man-tending anthems such as, "Cater 2 U" in which she sings about bringing him slippers and drawing his bath. Some of her songs are autobiographical, which she has admitted are taken from personal experiences, as well as her friends'. Knowles has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. Knowles was recognized as a songwriter during the run of Destiny's Child in the 1990s and early to mid-2000s. She won the Pop Songwriter of the Year award at the 2001 American Society of Composers, Authors, and Publishers Pop Music Awards, becoming the first African-American female and second female songwriter of all time to accomplish the feat. Knowles received songwriting credits in a single year for co-writing "Irreplaceable", "Grillz" and "Check on It", all of which reached number one on the Hot 100, the only woman to have written three songs which went to number-one in the same year since Carole King did it in 1971 and Mariah Carey in 1991. In terms of credits, she is tied with Diane Warren at third with nine number-one singles.
Knowles possesses a mezzo-soprano vocal range that spans more than three octaves. She has often been identified as the centerpiece of Destiny's Child. Jon Pareles of The New York Times commented that she has the voice that defines the group, writing that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Other critics praise her range and power. In reviewing her second album B'Day, Jody Rosen of Entertainment Weekly wrote "Beyoncé Knowles is a storm system disguised as a singer. On her second solo album, B'Day, the songs arrive in huge gusts of rhythm and emotion, with Beyoncé's voice rippling over clattery beats; you'd have to search far and wide—perhaps in the halls of the Metropolitan Opera – to find a vocalist who sings with more sheer force...No one—not R. Kelly, not Usher, to say nothing of her rival pop divas—can match Beyoncé's genius for dragging her vocal lines against a hip-hop beat." Chris Richards of The Washington Post wrote, "Even when she's coasting, she soars above her imitators. It's all in her voice—a superhuman instrument capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars. Smitten, scorned, amorous, antagonistic—Beyoncé sings from all of these vantage points with undeniable virtuosity."
Knowles has often been criticized for oversinging. A prominent employer of melisma, she earns frequent comparison to such artists as Mariah Carey, whose vocal embellishments have been known to detract from the melody of their songs. Editors from Eye Weekly wrote, "There’s no question that Beyoncé is one of the best singers in pop, maybe one of the best alive...However] as judicious as her singing can be, the effect in sum is still like being hit in the head with a fist in a velvet glove."
Influences
Knowles' credits Michael Jackson as her major musical influence and idol. Knowles has also named Diana Ross as another one of her influences because "she's an all-around entertainer: a great actor, a good singer, and a beautiful, elegant woman. She's one of the few singers able to cross over into really good movies." Her other musical influences include Tina Turner, Prince, Lauryn Hill, Aaliyah, Mary J. Blige, Whitney Houston, Janet Jackson, Anita Baker and Rachelle Ferrell. Knowles credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal runs as a child, as well as helping her pursue a career as a musician. She is also inspired by Oprah Winfrey and US First Lady Michelle Obama. Knowles says Winfrey is "the definition of inspiration and a strong woman. When I'm around her, I want to stand up straight, pronounce my words right, and articulate."
Stage and alter ego
In 2006, Knowles introduced her all-female tour band Suga Mama, which includes bassists, drummers, guitarists, horn players, keyboardists and percussionists. They made their début appearance at the 2006 BET Awards and re-appeared in the music videos for "Irreplaceable" and "Green Light". The band has supported Knowles in live performances, including her 2007 concert tour, The Beyoncé Experience, and her 2009 I Am... Tour.
Knowles often receives praise for her stage presence and live performances. In March 2011, Jarett Wieselman of The New York Post placed Knowles at number one on her list of The Five Best Singer/Dancers, writing, "the megastar consistently devotes] every ounce of her to the routine." In reviewing her live show for her 2009 I Am... Tour, Renee Michelle Harris of the South Florida Times wrote, Knowles "owns the stage with her trademark swagger and intensity... showcasing her powerful vocals without missing a note, often while engaged in vigorous, perfectly executed dance moves...no one, not Britney, not Ciara and not Rihanna can offer what she does—a complete package of voice, moves and presence." Babara Ellen of The Guardian wrote, "whether charismatic and soulful, or teasing and flirty, Beyoncé is, above all, in charge. Probably the most "in charge" of any female artist I've seen onstage". In reviewing her I Am... Tour, Alice Jones of The Independent wrote, "Watching Beyoncé sing and strut her stuff can feel at best overawing, at worst, alienating. She takes her role as entertainer so seriously she's almost too good." Tamara Hardingham-Gill of the Daily Mail wrote, "many industry experts have been tipping Beyoncé as the next Michael Jackson. While it’s far too early for such comparisons, she certainly proved that she is one of the most exciting and talented performers around and may well go down in history as such".
| | "Dangerously in Love" (live) Knowles has received widespread praise for her live vocal performances. |
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Reviewers have praised Knowles live vocal performances. In reviewing one of her performances, Jim Farber of The Daily News wrote "Beyoncé showed off pipes of steely power. As the song's signature horn riff pumped away, she soared over the melody with athletic ease. The way Beyoncé used her body intensified the sense of triumph. With her hair teased into Medusa-like tresses, a pelvis in perpetual churn and legs long enough to make Tina Turner proud, Beyoncé's presence punctuated her singing like an exclamation point." Stephanie Classen of the Star Phoenix declares "Beyoncé is no ordinary performer... from note one, the 27-year-old powerhouse rose above all the gimmicks, mastering the show like a sexy alien overlord princess. Nothing but extraterrestrial origins could explain that voice....Beyoncé] could perform circles around any other pop star today." Editors from Newsday wrote, "she proves that hot choreography and strong vocals don't have to be mutually exclusive... No worries of lip-synching here."
Known for being sexy, seductive and provocative when performing on stage, Knowles has stated that's her alter ego, Sasha Fierce. She described Sasha as being "too aggressive, too strong, too sassy and] too sexy", stating "I'm not like her in real life at all ... I'm not flirtatious and super-confident and fearless like her. What I feel onstage I don't feel anywhere else. It's an out-of-body experience. I created my stage persona to protect myself so that when I go home I don't have to think about what it is I do. Sasha isn't me. The people around me know who I really am." Although Sasha was born during the making of her 2003 hit single, "Crazy in Love", Knowles introduced her alter ego with the release of her third album, I Am... Sasha Fierce in 2008. In February 2010, Knowles announced in an interview with Allure magazine that "Sasha Fierce is done. I killed her". She then went on saying that she is comfortable enough with herself to be all of those things without an alias, stating "I don't need Sasha Fierce anymore, because I've grown and now I'm able to merge the two."
Public image
Knowles has stated, "I like to dress sexy and I carry myself like a lady," but she has said that the way she dresses on stage is "absolutely for the stage". The media often use the term "Bootylicious" (a portmanteau of the words booty and delicious), to describe Knowles because of her curves. The term was made widely known by the Destiny's Child hit song of the same name, and has been added to the Oxford English Dictionary. As someone who is fond of fashion, Knowles combines its artistic elements with her music videos and performances. According to Italian fashion designer Roberto Cavalli, she uses different styles and tries to harmonize it with the music while performing. The B'Day Anthology Video Album showed many instances of fashion-oriented footage, depicting classic to contemporary wardrobe styles. People magazine recognized Knowles as the best-dressed celebrity in 2007. Knowles' mother wrote a 2002-published book, titled Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion had an impact on Destiny's Child's success.
As one of the most media-exposed black celebrities in the United States, Knowles has often received criticism that some believe is due to racism and sexism. Toure of Rolling Stone stated that since the release of Dangerously in Love, "Beyoncé] has become a crossover sex symbol a la Halle Berry ..." In 2006, the animal rights organization, PETA, had criticized Knowles for wearing fur coats and using fur in her clothing line, House of Deréon. The organization said they had previously attempted to reach Knowles through faxes, letters and rallies outside her concerts. However with no reply, PETA confronted her at a dinner in New York. During the release of pop singer Rihanna's second album, A Girl Like Me, many critics felt that her image was too heavily similar to Knowles'. Some media even claimed that Jay-Z fashioned her to be a replica of Knowles. Amina Taylor of The Guardian, noted her as the "Bajan Beyoncé". In 2007, Knowles was featured on the cover of the Sports Illustrated Swimsuit Issue, the first non-model and non-athlete woman to pose on the issue and the second African American model after Tyra Banks. In the same year, Knowles appeared on billboards and newspapers across the United States showing her holding an antiquated cigarette holder. Taken from the back cover of B'Day, the image provoked response from an anti-smoking group, stating that she did not need to add the cigarette holder "to make herself appear more sophisticated". Knowles has several wax figures of herself at Madame Tussauds Wax Museums in major cities around the world, including New York, Washington, D.C., Amsterdam, Bangkok and Hollywood.
In March 2009, comparisons were made between the fashions of Knowles and R&B singer Ciara, when the latter released the music video of her single, "Love Sex Magic". In the video, Ciara is seen wearing a black leotard and metallic glasses, similar to those worn by Knowles in both her "Single Ladies (Put a Ring on It)" and "Diva" videos. However, Ciara stated that her outfits were "inspired by the Vegas shows" she attended. In September 2010, Knowles made her runway modelling debut at Tom Ford’s Spring/Summer 2011 fashion show. In February 2011, LA Times magazine placed Knowles at number twenty-five on its list of the 50 Most Beautiful Women in Film. In the same month, Knowles appeared on the cover of the March issue of the French fashion magazine, L'Officiel, in honor of the magazine's 90th anniversary, and in tribute to Nigerian musician Fela Kuti. She appeared in blackface makeup and tribal makeup, that has drawn criticism from the media. A statement released from a spokesperson for the magazine, said that Knowles' look was "far from the glamorous Sasha Fierce" and explained that it was "a return to her African roots, as you can see on the picture, on which her face was voluntarily darkened." In 2011, Knowles became the first major solo female performer to appear on the Pyramid stage, in over twenty years, during the Glastonbury Festival in England.
